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From-Text-to-Clay

This project fits the "Digital Future" theme because it shows how ancient ceramic practices can teach us new ways to work with AI, using clay's slow, unpredictable transformations to develop more thoughtful approaches to machine learning that prioritize reflection over speed. Rather than letting AI accelerate creative work, the project demonstrates how ceramic temporality can slow down AI interaction, creating space for deeper understanding of both materials and suggesting more meaningful futures for creative practice with AI tools.

“Ceramic is a metaphor for how life unfolds in unpredictable ways and you can never fully control it”
Vera van der Burg


Contemporary AI creative tools prioritize speed and efficiency, promising instant results that fundamentally misalign with how creative practice actually develops. This project investigates an alternative approach: using ceramic practice, with its inherent slowness, unpredictability, and temporal constraints, as a framework for developing more reflective relationships with AI systems. By training an AI model on personal ceramic works and translating its outputs back into clay, the research explores how ancient material practices might inform sustainable approaches to artificial intelligence in creative work.


“Working with ceramics opens up a fundamentally different relationship with control and prediction. The material operates according to its own logics: It cracks when it wants to crack, glazes flow where they choose to flow. You cannot fully master clay; you must find peace with its agency. I wish we could cultivate similar acceptance with AI systems, seeing their unpredictability not as a flaw to eliminate but as a material quality that can teach us new ways of creating.”
Vera van der Burg


“Opening a kiln is like an AI’s black-box, what comes out can never be fully predicted or understood”
Vera van der Burg


Facilitated by European Workcentre of Ceramics (https://ekwc.nl/)

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